It was hot and crowded at the gallery on 126th Street in Harlem. Black viewers dominated the Jazz inspired exhibition. I was standing along the East wall with a plate in hand. Some rice, some pasta and some fresh vegetables were spread evenly on my white foam plate. With my plastic fork I stood there eating my free food, my starving artist food that I scored at this gallery opening. I stood and observed the crowd. As I stood there, to my left was a man of about age 70 who sat on one of the rare wooden chairs in the gallery. I saw him earlier in the space. He was decked out in a very fashionable jazz outfit. I remember him distinctly because he was dressed in a bright red suit and yellow shirt with matching colourful shoes. His shoes were red and glazed with a shine. They looked like great works of art, almost like Dutch shoes, but these were more electrified with Jazz, like Coltrane blew music through the soles. He walked with a fancy cane held by a hand with a silver nugget ring. Now I stand along the wall, eating my freely scored meal. Out of the corner of my eye I see this wonderful beautiful man all of a sudden slump over and fall out of the chair. For half of a second I pondered if this was performance art, then the other half of the second I realize that there was something seriously wrong. I quickly put my freely scored meal down on the floor with my bag which contained my Bible and went over to the aging black man in the red suit. His face was against the floor and his body twisted in a fashion quite unusual. His cane to the side and his legs overlapping each other. His thick rimmed glasses knocked off of his face, with the weight of his head pressing down on them against the floor. His red cap still on his head. I cradle him in my arms and yell, “Sir! Sir!?” I get no response. A woman walks quickly over from the front of the gallery, “Norman!? Norman!” I realize this woman must know this man and this man was Norman. I cradle him more, with my arms around his back and pick up his head slowly. I yell “Norman!? Norman!?” As I hear various other art viewers yell “Call 9-1-1! Call 9-1-1!” Finally, Norman, with the yellow ochre pants and grey socks slowly opens his eyes. The first being this black man sees in this Harlem gallery is a young white man with blue eyes. I wonder if he thought he was in heaven with white folk or knew where he was. In this hot gallery. This overcrowded space with people who chit chatted to loudly when the speakers wanted to speak. I continue to soothe Norman and his companion leans over with tears and yells for Norman to come to complete consciousness. Norman was only probably out a mere eight to ten seconds, but felt like the lifetime of a pet with four legs. His glasses were off his face now. Yellow glasses with black stripes forming the pattern of a zebra. His yellow shirt cleanly pressed under his stop-sign red jacket. As I continued to cradle this beautiful Jazz man, a man approached me and said “I am a doctor, can I help?” I said yes, and the doctor took over the procedure for caring for the man. As the doctor continued to assist, I stood nearby in case if another helping hand was needed. Finally, in a short amount of time, the emergency workers arrived and attended to my beautiful jazz friend and he finally arose and walked with assistance to the waiting ambulance outside.

© 2003 David Greg Harth

03.06.18.20:30:00@104E126thStNYC

03.06.24.05:23:00@296NYC